The artist is present
marina abramovic

About the exhibition

This performance retrospective traces the prolific career of Marina Abramović (Yugoslav, b. 1946) with approximately fifty works spanning over four decades of her early interventions and sound pieces, video works, installations, photographs, solo performances, and collaborative performances made with Ulay (Uwe Laysiepen). In an endeavor to transmit the presence of the artist and make her historical performances accessible to a larger audience, the exhibition includes the first live re-performances of Abramović’s works by other people ever to be undertaken in a museum setting. In addition, a new, original work performed by Abramović will mark the longest duration of time that she has performed a single solo piece. (Please note: Abramović will not perform during MoMA Nights.) All performances, one of which involves viewer participation, will take place throughout the entire duration of the exhibition, starting before the Museum opens each day and continuing until after it closes, to allow visitors to experience the timelessness of the works.

It ponders not only the nature of performance art but paints a portrait of Abramovic as the move­ment's "grand­mother".

Peter Solomon, editor

About the artist

Towards the late 1950s, as abstract art began to lose impetus, many artists across the world began to embrace performance art. Performance had been a feature of avant-garde art since around 1910, but Marina Abramović's work is typical of the aims of the new generation in her eagerness to avoid traditional, object-based art materials (such as paint and canvas), and to cut down the distance between the artist and the audience by making her own body the medium. Born under Yugoslavia's repressive Communist dictatorship, and raised by parents closely tied to the regime, Abramović's dramatic and dangerous performances often seem like cathartic responses to these early experiences of power. She has produced a quantity of sculpture, but she remains best known for performance, and she remains one of only a handful of performance artists of her generation who have continued to perform late in their career.

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